Truong Tan

Truong Tan (1963), exhibited in Paris, Sydney, Bangkok, Saint Brieuc, Tokyo, Munster (work in museum of lacquer ware), Singapore, Hong Kong, Yokohama, Berlin, Frankfurt, Limoges, Kopenhagen, Bielefeld: studied lacquer ware at the Academy in Hanoi and then teached academic drawing; presented video-installations and acted in performances; lives half year in Paris, half in Hanoi; was a not excepted sensation in the nineties as the Vietnamese Keith Haring with explicit homo creations on canvas and in performances. Like others uses frequently Buddhist motives.